Spelling
Spelling related to the word for
casting spells
·
common
denominator: narration, speaking
o a set of words supposed to
possess magical powers
o to make one’s way letter by
letter in reading
You’ll
find different words for it
·
spelling
o connection with speaking,
narrating
o verb medieval, noun
Renaissance
·
orthography:
o a prescriptive term, “right”
+ “writing”
·
spelling
rules are like rules in football or like table manners, not like the laws of
gravity!
·
graphology
o a more neutral linguistic
term for the study of a language’s writing system
·
formed
by analogy with words like phonology
·
Crystal:
a study of the linguistic contrasts that writing systems express
o grapheme is an abstract unit and
usually in angle brackets:
·
<s>
is the grapheme, its allographs include s, long s, etc.
·
spelling
in angle brackets, phonemic transcription in slash brackets: <knight> /naɪt/
·
we
also use combinations of letters: digraph
o in OE, <sc>
represented /š/ in words like <fisc>
§
aftereffect
of a sound change from /sk/
·
just
as <hw> used to represent sequence /hw/
o in ME, French scribes
replaced it with <sh>: <fish>
English
spelling is basically alphabetic
·
Roman
alphabet adapted to write Old English
·
there
should be a correspondence between graphemes and sounds
·
but
there aren’t as many graphemes as there are sounds
·
e.g.
Crystal says OE had 27 graphemes for nearly 40 phonemes
English
spelling is alphabetic but not phonographic
·
there
isn’t a one-to-one correspondence between sounds and letters
One
letter can represent many sounds, e.g. <i>
·
/ɪ/ in bid, bitter
·
/aɪ/ in high, fine
o <e> marks “long”
·
/ə/ in sordid
o unstressed syllables
·
/i/
in pizza, souvenir
o recent loanwords (post-GVS)
One
sound can be represented by many graphs, e.g. /i/
·
<ee>
in meet
·
<ea>
in meat
·
<ei>
in receive
·
<ie>
in field
·
<i>
in pizza
E.g.
/k/
·
<k>
before front vowels i or e in king, kernel
·
<c>
before other vowels (back vowels, a) or consonant in cat, corn,
crappy
o karaoke looks odd because we would
usually have <c> before a back vowel
·
<ck>
word-finally in rock, <que> word-finally in pique,
<che> in ache
And
letters can have functions other than representing sounds
·
fine
and fin, meet and met
o final <e> marks length
of preceding vowel
·
hug
and huge, rigor and rigid; electric but electricity
o <e> and <i> mark
that preceding <g> or <c> is not a stop
·
breath
and breathe, tooth and teethe, house but house
o <e> can indicate that
the preceding consonant is voiced
English
spelling is more morphographemic: tends to preserve roots of the words
rather than indicate their pronunciation
·
sign
/saɪn/ but signature /sɪg /
·
house
/s/ but houses /z/
·
breath
/θ/ but breathe /ð/
Inflectional
affixes often more visually than aurally regular
·
e.g.
cats and dogs: both have <s>, but it’s /s/ and /z/
·
e.g.walked,
climbed, and thudded: all have <-ed> for /t/, /d/ and /-əd/
Morphological
regularity can override “rules”…
· judgement has established itself
quite recently (Bauer, Watching English Change)
o
1900
4/11, 1990 10/3
English
spelling reflects history: layers of different conventions
o Germanic base with Romance superstructure
Old
English
· “overworked” letters: e.g.
<s> represented /s/ and /z/
o
modern
spelling of house, houses
§ at the end of a word
<s> represented voiceless /s/
§ between voiced sounds (in
the middle of a word) represented voiced /z/
o
same
principle: spelling of breath, breathe, wife, wives
· “silent” letters from former
word-initial “consonant clusters”
o
OE
cniht -> PDE knight
§ <-h> -> <-gh>
§ <cn> -> <kn>
· others: <hw> hwíl
“while”
French
patterns from Middle English
· in OE, <c> and
<g> also “overworked” (somewhat more ambiguously)
o
/k/
corn, cwen (before back vowels and consonants)
o
/č/
ceosan, cild (before front vowels)
· French brought in words like cell
and city: <c> /z/ before front vowels
o
so
<k> /k/: king, kernel
o
and
<qu> for /kw/ in queen
o
and
<ch> had to disambiguate /č/ choose, child before
front vowels
§ and lots of other digraphs:
<wh>, <th> for old <ð> and <þ>
·
French
brought in words like heir and hour: “silent h”
o /h/ lost in pronunciation in
late Latin but not always in spelling
Early
Modern English and after
·
many
loanwords from Latin (and Greek)
E.g.,
Patterns in English words from Greek
·
<ch>
for ‘chi’: chaos, archetype
·
silent
<p>: pneumonia, psychology, pterodactyl
·
<ph>
/f/: philosophy
§
often
through French, which keeps <ph> (cf. Sp. <f>)
·
<k>:
kinetic, kaleidoscope
o if via Latin or French,
<c>: cinema
Other
Greek words via Latin
·
Greek
<k> as <c>: calligraphy, calendar
·
Greek
<th> as <t>: ME trone, teater
Once
Renaissance scholars became aware of word origins, there was sometimes
“etymological respelling”
§
e.g.
to reflect Greek origins of some words borrowed via Latin and French)
o e.g. <trone> became
<throne>, <teatre> <theatre>
§
more
often, of French loanwords to reflect Latin origins
o e.g. <parfait> became
<perfect>, <caitiff> <captive>, <aventure> <adventure>
§
pronunciation
changed in these cases
o e.g. <dette> became
<debt>
§
/bt/
not an allowable combination in English, so pronunciation didn’t change
Which
etymology: most recent? ultimate?
·
colour
(English got the word from French)
·
color
(but it was ultimately from Latin)
Etymological
respellings weren’t always complete
§
phantom but fantasy
Etymological
respellings weren’t always correct: by perceived analogy with Latin scindere
“to cut” we now have <sc> in
§
OE
sið “scythe”
§
ME
cisoirs “scissors”
Later
loanwords tend to keep foreign forms
· e.g. French rendezvous
· e.g. Italian spaghetti
·
e.g.
Dutch yacht
·
e.g.
Japanese karaoke
Printing
initially multiplied variation
§
an
imported technology: early printers were foreign
§
line
justification often achieved by adding extra letters
o Randy McLeod’s amongst
and amongest (latter italic)
But
spelling standardized fairly early, before major sound changes occurred
§
Silent
letters retained
o knight
§
not
always silent: rough
o herb
§
<r>
still written in non-rhotic accents
·
/h/
introduced in some varieties with the influence of the spelling: “spelling
pronunciation”
§
Great
vowel shift
§
same
sound, different spelling: meat, meet originally different
sounds: /ɛ:/ and /e:/ converge on /i/
§
same
spelling, different sound: polite shows GVS, later borrowing police
doesn’t
o we usually keep spelling of
source language
Spelling
pretty much standardized by 1700
·
a
few subsequent changes, e.g.
o C18th: chuse, stile,
shew, compleat/complete
If
anything, it’s the pronunciation that goes
·
German
<ch> in Bach: /x/ or /k/?
o we don’t have that fricative
in English
o we are used to <ch>
representing /k/ in loanwords from other languages like Greek …
Spelling
can influence pronunciation
·
temporarily/incorrectly:
e.g. pronunciation of foreign or unfamiliar names like Reading, Gloucester
·
permanently,
by analogy: profile up until C17th /i/, then /aɪ/ by analogy with other GVS’d <i> words like polite
·
permanently:
reversal of sound changes
o restoration of /h/ in words
that had lost it (or not/consistently had it in English, like herb)
o restoration of /w/ in swore
and swollen (but not sword)
o in compounds like waistcoat,
mastiff
Once
standardization effected, deviations from uniformity symbolic
·
of
… use of “classical”/ “rational” spellings in C18th
·
of
informality (early modern private letters, modern email)
·
of
carelessness and stupidity
Some
(acceptable) variation
·
apostrophe
has blurry areas: 1990s or 1990’s? VIPs or VIP’s
·
what’s
the plural of mango
·
check
out dictionaries for whether they contain imposter, judgement, vermillion
o Longman New Universal
Dictionary,
Collins (Graddol 344)
§
Mackinnon:
English has no academy – editors, publishers
Influence
of computers/internet?
·
are
spellcheckers spreading American spelling into Canada…
o irrelevant: “scandal
service” for “scandoc service”
·
more
public spelling errors
o web
o informality of email
o fewer secretaries between
the boss and the world
·
more
expressive spellings
o reflecting pronunciation:
noooooo, hehehe
o use of case
·
some
distinctive spellings
o replacement of plural s
with z to refer to pirated versions of software: tunez, gamez,
pornz
·
more
access to typography and its expressive potential
Influence
of industry
·
unusual
spellings (often with manipulation of upper/lower case, e.g. HarperCollins)
o memorable, trademark
o symbolic: lite
·
capitalization
on trendiness of lower caps
o innovative / technology /
o anti-corporate?!