H. G. Wells.Edited by
The Time Machine
The Wonderful Visit
and Other Stories.
The Works of H. G. Wells
Atlantic Edition.
Volume 1.
London:
T. Fisher Unwin, Ltd., 1924.Shelfmark: PR 5770 F2A v. 1.
Copy no. 574.
Signed by H. G. Wells.
Ian Lancashire (Dept. of English, University of Toronto)
Assisted by Charlene Black
As published in
I. Lancashire, in collaboration with J. Bradley,
W. McCarty, M. Stairs, and T. R. Wooldridge.
Using TACT and Electronic Texts: Text-Analysis
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New York: Modern Language Association of America, 1996.
CD-ROM.Electronic edition copyrighted Ian Lancashire 1996.
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In this first volume are some of the author's earliest
"You must follow me carefully. I shall have to "Is not that rather a large thing to expect us to "I do not mean to ask you to accept anything "That is all right," said the Psychologist. "Nor, having only length, breadth, and thickness, "There I object," said Filby. "Of course a solid "So most people think. But wait a moment. "Don't follow you," said Filby. "Can a cube that does not last for any time at all, Filby became pensive. "Clearly," the Time Trav "That," said a very young man, making spasmodic "Now, it is very remarkable that this is so [[exten]] " "It is simply this. That Space, as our mathemati
imaginative writings. The idea of "The Time Ma
chine" itself, a rather forced development of the idea
that time is a direction in space, came when he was
still a student at the Royal College of Science. He
tried to make a story of it in the students' magazine.
If the old numbers of that publication for the years
1889 and 1890, or thereabouts, still exist, the curious
may read there that first essay, written obviously
under the influence of Hawthorne and smeared with
that miscellaneous allusiveness that Carlyle and many
other of the great Victorians had made the fashion.
"Time Travellers" were not to be written of in those
days of the twopence coloured style; the story was
called, rather deliciously, "The Chronic Argonauts"
and the Time Traveller was "Mr. Nebo-gipfel."
Similar pigments prevailed throughout. A cleansing
course of Swift and Sterne intervened before the idea
was written again for Henley's
1894, and his later
lished as a book in the spring of the latter year. That
version stands here unaltered. There was a slight
struggle between the writer and W. E. Henley who
wanted, he said, to put a little "writing" into the
tale. But the writer was in reaction from that sort
of thing, the Henley interpolations were cut out again,
and he had his own way with the text.
And now the writer reads this book, "The Time
Machine," and can no more touch it or change it than
if it were the work of an entirely different person.
He reads it again after a long interval, he does not
believe he has opened its pages for twenty years, and
finds it hard and "clever" and youthful. And --
what is rather odd, he thinks -- a little unsympathetic.
He if left doubting -- rather irrelevantly to the gen
eral business of this Preface -- whether if the Time
Machine were a sufficiently practicable method of
transport for such a meeting, the H. G. Wells of 1894
and the H. G. Wells of 1922 would get on very well
together. But he has found a copy of the book in
which, somewhen between 1898 or 1899, he marked out
a few modifications in arrangement and improve
ments in expression. Almost all these suggested
changes he has accepted, so that what the reader
gets here is a revised definitive version a quarter of
a century old.
"The Jilting of Jane" and "The Cone" are also
very "young" things. "The Jilting of Jane" is the
sort of little deliberately pleasant and sympathetic
sketch that every young journalist was doing in those
days. "The Cone" is the last surviving relic of what
might have been a considerable lark to write; it was
to have been a vast melodrama, all at that same level
of high sensation. These two were done some time
before the first rewriting of "The Time Machine"
but before its final revision. After them comes a
string of irresponsible stories. They are just inven
tions that were written for magazines, and there is
hardly anything more to be said for them. "The
Wonderful Visit" was published as a book very soon
after "The Time Machine," and its develops the
method of quite a number of the writer's short sto
ries, the method of bringing some fantastically possi
ble or impossible thing into a commonplace group of
people, and working out their their reactions with the
completest gravity and reasonableness. Perhaps the
best and reallest of all this group of stories is the
one called "The Purple Pileus," which completes
this first volume.
H. G. W.