Bibliography (citations)

Alessandrini, Marjorie, Marc Duveau, Jean-Claude Glasser and Marion Vidal, eds. (1986). L'encyclopédie des bandes dessinés. Paris, Albin Michel.

Appleyard, Donald, Kevin Lynch and John R. Myer (1964). The View from the Road. Cambridge, MA, MIT Press.

Ayroles, François (2000). Notes Mésopotamiennes. Paris, L'Association.

Barker, Martin (1989). Comics: Ideology, Power and the Critics. Manchester, Manchester University Press.

Baxandall, Michael (1985). Patterns of Intention: On the Historical Explanation of Pictures. New Haven, Yale University Press.

Bayley, Stephen, ed. (1989). Commerce and Culture: From Pre-Industrial Art to Post-Industrial Value. London, Design Museum/Penshurst Press.

Beaty et al., Bart (1999). "Critical Focus: Understanding Comics." The Comics Journal (211): 57–103.

Beerbohm, Robert L. and Richard D. Olson (1999). "The Golden Age and Beyond: The Origin of the Modern Comic Book." The Overstreet Comic Price Guide. Ed. R. Overstreet. New York, Avon Books. 226-233.

Benjamin, Walter (1969 [1936]). "The Work of Art in the Age of Mechanical Reproduction." Illuminations. Ed. H. Arendt. New York, Schocken. 217–251.

Berger, John (1972). Ways of Seeing. New York, Viking Press.

Berger, John (1980). About Looking. New York, Pantheon.

Bilal, Enki, et P. Christin (1977). La ville qui n'existait pas. Paris, Dargaud.

Bindman, David (1981). Hogarth. London, Thames & Hudson.

Blanchard, Gérard (1969). La bande dessinée: histoire des histoires en images de la préhistoire à nos jours. Verviers (Belgium), Editions Gérard.

Bosselmann, Peter (1998). Representation of Places: Reality and Realism in City Design. Berkeley, University of California Press.

Bramly, Serge (1996). Mona Lisa. London, Thames and Hudson.

Breccia, Alberto and Héctor Germán Osterheld (1997). Mort Cinder. Buenos Aires, Colihue.

Busscher, Jean-Marie de, ed. (1985). Attention travaux! Architectures de bande dessinée. Paris, (A suivre).

Camille, Michael (1992). Image on the Edge: The Margins of Medieval Art. Cambridge, MA, Harvard University Press.

Campbell, Eddie (2000). "Ouch!" Bacchus (51): 1–4.

Canemaker, John (1987). Winsor McKay: His Life and Art. New York, Abbeville Press.

Carrier, David (2000). The Aesthetics of Comics. University Park, Pennsylvania State University Press.

Caza, Philippe (1982). Scènes de la vie de banlieue. Paris, Dargaud.

CCI (1984). Images et imaginaires d'architecture. Paris, Centre Georges Pompidou.

Clark, Kenneth (1990). 100 Details from Pictures in the National Gallery. Cambridge, MA, Harvard University Press.

Couperie, Pierre and Maurice C. Horn (1968). A History of the Comic Strip. New York, Crown.

Crumb, Robert (1967). Zap Comix, No. 0.

Crumb, Robert (1995). R. Crumb's America. San Francisco, Last Gasp.

Daniels, Les (1971). Comix: A History of Comic Books in America. New York, Outerbridge & Dienstfry.

Eisner, Will (1985). Comics and Sequential Art. Tamarac, FL, Poorhouse Press.

Eisner, Will (1995). Graphic Storytelling. Tamarac, FL, Poorhouse Press.

Elkins, James (1998). On Pictures and the Words That Fail Them. Cambridge, Cambridge University Press.

Elkins, James (1999). The Domain of Images. Ithaca, NY, Cornell University Press.

Farrell, Terry (1984). Terry Farrell. London, Academy Editions.

Feiffer, Jules (1997). "The Great Comic Book Heroes." The Comics Journal (200): 181-205.

Forester, John, ed. (1985). Critical theory and public life. Cambridge, MA, MIT Press.

Fresnault-Deruelle, Pierre (1976). "Du linéaire au tabulaire." Communications (24): 7-23.

Gaiman, Neil, Matt Wagner, Teddy Kristiansen and Todd Klein (1999). "Sandman Midnight Theatre." Neil Gaiman's Midnight Days. Ed. N. Gaiman. London, Titan Books.

Gaumer, Patrick and Claude Moliterni (1997). Dictionnaire mondial de la bande dessinée. Paris, Larousse.

Gordon, Ian (1998). Comic Strips and Consumer Culture, 1890–1945. Washington DC, Smithsonian Institution Press.

Gowans, Alan (1971). The Unchanging Arts: New Forms for the Traditional Functions of Art in Society. Philadephia, Lippincott.

Gowans, Alan (1983). Learning to See: Historical Perspectives on Modern Popular/Commercial Arts. Bowling Green, OH, Popular Press.

Gowans, Alan (1991). "The Case for Kitsch: Popular/Commercial Arts as a Reservoir of Traditional Culture and Humane Values." Living in a Material World. Ed. G. L. Pocius. St. John's, Nfld., Institute of Social and Economic Research, Memorial University. 127-143.

Groensteen, Thierry (1991). "Les lieux superposés de Richard McGuire." Lectures de bandes dessinées. Ed. Y. Lacroix. Rimouski, Québec, Urgences. 95-109.

Groensteen, Thierry (1997). "Un premier bouquet de contraintes." OuPus 1 / OuBaPo (Ouvroir de Bande Dessiné Potentielle). Paris, L'Association. 13–59.

Harvey, Robert C. (1995). "Scott McCloud (interview)." The Comics Journal (179): 52–81.

Harvey, Robert C. (1996). The Art of the Comic Book: An Aesthetic History. Jackson, University of Mississippi Press.

Herdeg, Walter and David Pascal, eds. (1972). The Art of the Comic Strip. Zürich, Graphis.

Herdling, Glenn A. (1996). "Comics." A Dctionary of Cultural and Critical Theory. Ed. M. Payne. Oxford, Blackwell. 110–112.

Hogben, Lancelot (1949). From Cave Painting to Comic Strip: A History of Human Communications. New York, Chanticleer Press.

Hollander, Anne (1991). Moving Pictures. Cambridge, MA, Harvard University Press.

IFA (1985). Architectures de bande dessinée. Paris, Institut français d'architecture.

Inge, M. Thomas (1990). Comics as Culture. Jackson, University of Mississippi Press.

Iser, Wolfgang (1978). The Act of Reading: A Theory of Aesthetic Response. Baltimore, Johns Hopkins University Press.

Katchor, Ben (1996). Julius Knipl, Real Estate Photographer. Boston, Little, Brown.

Killoffer (1997). "Bande dessinée en Tripoutre." OuPus 1 / OuBaPo (Ouvroir de Bande Dessiné Potentielle). Paris, L'Association. 66–67.

Koestler, Arthur (1970). The Act of Creation. London, Pan Books.

Kunzle, David (1973). The Early Comic Strip. Berkeley, University of Califormia Press.

Kunzle, David (1990). The Nineteenth Century. Berkeley, University of Califormia Press.

Lacroix, Yves, ed. (1991). Lectures de bandes dessinées. Urgences. Rimouski, Québec, Urgences.

LaRocca, Donald J. (1998). The Academy of the Sword: Illustrated Fencing Books 1500–1800. New York, Metropolitan Museum of Art.

Lécroart, Étienne and Jean-Christophe Menu (1997). "Le 'Tireur à la ligne', ou Grabuge galactique." OuPus 1 / OuBaPo (Ouvroir de Bande Dessiné Potentielle). Paris, L'Association. 68–100.

Lent, John A. (1994). Comic Art of Europe: An International, Comprehensive Bibliography. Westport, CT, Greenwood Press.

Magritte, René (1979). Écrits complets. Paris, Flammarion.

Mann, Ron (1994). Comic Book Confidential. New York, Voyager.

Massin (1973). La lettre et l'image: la figuration dans l'alphabet latin du huitième siècle à nos jours. Paris, Gallimard.

McCay, Winsor (1969). Little Nemo. Paris, Pierre Horay.

McCay, Winsor (1990). The Complete Little Nemo in Slumberland. Seattle, Fantagraphics Books.

McCloud, Scott (1993). Understanding Comics: The Invisible Art. Northampton, MA, Tundra.

McCloud, Scott (2000). Reinventing Comics. New York, Paradox Press.

McDonnell, Patrick, Karen O'Connell, and Georgia Riley de Havenon (1986). Krazy Kat: The comic art of George Herriman. New York, Abrams.

Meuris, Jacques (1990). René Magritte. Woodstock,NY, Overlook Press.

Mijksenaar, Paul and Piet Westendorp (1999). Open Here: The Art of Instructional Design. New York, Joost Elfers Books.

Moebius (1984). Le bandard fou. Paris, Les Humanoïdes Associés.

Moliterni, Claude, Philippe Mellot and Michel Denni (1996). Les aventures de la BD. Paris, Gallimard.

Moore, Alan and Dave Gibbons (1987). Watchmen. New York, Warner Books.

Neumann, Dietrich, ed. (1996). Film Architecture: Set Designs from Metroplis to Blade Runner. Munich, Prestel.

Overstreet, Robert, ed. (1999). The Overstreet Comic Price Guide. New York, Avon Books.

Peeters, Benoît (1993). La bande dessinée: un exposé pour comprendre, un essai pour réfléchir. Paris, Flammarion.

Peeters, Benoît, Jacques Faton and Philippe de Pierpont (1992). Storyboard -- le cinéma dessiné. Crisnee, Belgium, Editions Yellow Now.

Phillips, Patrick (1999). "The Film Spectator." An Introduction to Film Studies. Ed. J. Nelmes. London, Routledge. Second edition. 129–160.

Prown, Jules David (1988). "Mind in Matter: An Introduction to Material Culture Theory and Method." Material Life in America. Ed. R. B. S. George. Boston, Northeastern University Press. 17–37.

Queneau, Raymond (1981). Exercises in Style. New York, New Directions. (translation of Exercices de style. Paris: Gallimard, 1947)

Richardson, John Adkins (1986). Art: The Way It Is. Englewood Cliffs, NJ, Prentice-Hall.

Rio, Michel (1976). "Cadre, plan, lecture." Communications (24): 94-107.

Robbins, Trina (1999). From Girls to Grrrlz: A History of Women's Comics from Teens to Zines. San Francisco, Chronicle Books.

Rothschild, D. Aviva (1995). Graphic Novels: A Bibliographic Guide to Book-Length Comics. Englewood, CO, Libraries Unlimited.

Rowe, Allan (1999). "Film Form and Narrative." An Introduction to Film Studies. Ed. J. Nelmes. London, Routledge. Second edition, ed. 91–128.

Sabin, Roger (1993). Adult Comics: An Introduction. London, Routledge.

Sabin, Roger (1996). Comics, Comix & Graphic Novels. London, Phaidon.

Saenz, Michael, and Peter B. Gillis (1985). Shatter (subtitled, "the first computerized comic"). Chicago, First Comics.

Saint-Gelais, Richard (1991). "Entre les cases (quelques effets fictionnels des interstices en bande dessiné)." Lectures de bandes dessinées. Ed. Y. Lacroix. Rimouski, Québec, Urgences. 7-17.

Sauter, Catherine and Philippe Sohet (1991). "«Histoire de voir»: historicité et logique narrative dans l'œuvre de Jacques Martin." Lectures de bandes dessinées. Ed. Y. Lacroix. Rimouski, Québec, Urgences. 30-43.

Schodt, Frederik L. (1983). Manga! Manga! The World of Japanese Comics. Tokyo, Kodansha International.

Schuiten, François and Benoît Peeters (1982). Les murailles de Samaris. Tournai, Casterman.

Schuiten, François and Benoît Peeters (1996). Le guide des cités. Tournai, Casterman.

Schuiten, François, et Benoit Peeters (1985). "Utopies". À suivre, 1985: 66-70.

Spaulding, Amy E. (1995). The Page as a Stage Set: Storyboard Picture Books. Metuchen, NJ, The Scarecrow Press.

Spiegelman, Art (1986). Maus: A Survivor's Tale. New York, Pantheon.

Spiegelman, Art (1991). Maus: A Survivor's Tale II: And Here My Troubles Began. New York, Pantheon.

Spiegelman, Art (1994). The Complete Maus: A Survivor's Tale. New York, Voyager.

Töpffer, Rodolphe (1994). L'invention de la bande dessinée: textes réunis et présentés par Thierry Groensteen et Benoît Peeters. Paris, Hermann.

Torres, Daniel (1984-5). "Triton" (serialization). Heavy Metal, 91 (October) to 95 (February).

Varnedoe, Kirk and Adam Gopnik (1990). High & Low: Modern Art and Popular Culture. New York, Museum of Modern Art.

Wells, Paul (1998). Understanding Animation. London, Routledge.

Williams, Raymond (1983). Keywords: A Vocabulary of Culture and Society. London, Flamingo/Fontana.

Wollen, Peter (1998). Signs and Meaning in the Cinema. London, British Film Institute.

		Ephemeral landscapes Bibliography (citations)

`LITTLE PICTURES` `POPULAR VIEWS` `MATERIAL CULTURE MODELS` `OF THE PAGE` `IN THE PAGE` `INTEGRATING IMAGES` `COPY(RIGHTS)` `BIBLIOGRAPHY (citations)` `BIBLIOGRAPHY (annotated)` `LINKS` `Topics in material culture` `website`		Works cited in these texts, supporting texts, and printed picture resources Alessandrini, Marjorie, Marc Duveau, Jean-Claude Glasser and Marion Vidal, eds. (1986). L'encyclopédie des bandes dessinés. Paris, Albin Michel. Appleyard, Donald, Kevin Lynch and John R. Myer (1964). The View from the Road. Cambridge, MA, MIT Press. Ayroles, François (2000). Notes Mésopotamiennes. Paris, L'Association. Barker, Martin (1989). Comics: Ideology, Power and the Critics. Manchester, Manchester University Press. Baxandall, Michael (1985). Patterns of Intention: On the Historical Explanation of Pictures. New Haven, Yale University Press. Bayley, Stephen, ed. (1989). Commerce and Culture: From Pre-Industrial Art to Post-Industrial Value. London, Design Museum/Penshurst Press. Beaty et al., Bart (1999). "Critical Focus: Understanding Comics." The Comics Journal (211): 57–103. Beerbohm, Robert L. and Richard D. Olson (1999). "The Golden Age and Beyond: The Origin of the Modern Comic Book." The Overstreet Comic Price Guide. Ed. R. Overstreet. New York, Avon Books. 226-233. Benjamin, Walter (1969 [1936]). "The Work of Art in the Age of Mechanical Reproduction." Illuminations. Ed. H. Arendt. New York, Schocken. 217–251. Berger, John (1972). Ways of Seeing. New York, Viking Press. Berger, John (1980). About Looking. New York, Pantheon. Bilal, Enki, et P. Christin (1977). La ville qui n'existait pas. Paris, Dargaud. Bindman, David (1981). Hogarth. London, Thames & Hudson. Blanchard, Gérard (1969). La bande dessinée: histoire des histoires en images de la préhistoire à nos jours. Verviers (Belgium), Editions Gérard. Bosselmann, Peter (1998). Representation of Places: Reality and Realism in City Design. Berkeley, University of California Press. Bramly, Serge (1996). Mona Lisa. London, Thames and Hudson. Breccia, Alberto and Héctor Germán Osterheld (1997). Mort Cinder. Buenos Aires, Colihue. Busscher, Jean-Marie de, ed. (1985). Attention travaux! Architectures de bande dessinée. Paris, (A suivre). Camille, Michael (1992). Image on the Edge: The Margins of Medieval Art. Cambridge, MA, Harvard University Press. Campbell, Eddie (2000). "Ouch!" Bacchus (51): 1–4. Canemaker, John (1987). Winsor McKay: His Life and Art. New York, Abbeville Press. Carrier, David (2000). The Aesthetics of Comics. University Park, Pennsylvania State University Press. Caza, Philippe (1982). Scènes de la vie de banlieue. Paris, Dargaud. CCI (1984). Images et imaginaires d'architecture. Paris, Centre Georges Pompidou. Clark, Kenneth (1990). 100 Details from Pictures in the National Gallery. Cambridge, MA, Harvard University Press. Couperie, Pierre and Maurice C. Horn (1968). A History of the Comic Strip. New York, Crown. Crumb, Robert (1967). Zap Comix, No. 0. Crumb, Robert (1995). R. Crumb's America. San Francisco, Last Gasp. Daniels, Les (1971). Comix: A History of Comic Books in America. New York, Outerbridge & Dienstfry. Eisner, Will (1985). Comics and Sequential Art. Tamarac, FL, Poorhouse Press. Eisner, Will (1995). Graphic Storytelling. Tamarac, FL, Poorhouse Press. Elkins, James (1998). On Pictures and the Words That Fail Them. Cambridge, Cambridge University Press. Elkins, James (1999). The Domain of Images. Ithaca, NY, Cornell University Press. Farrell, Terry (1984). Terry Farrell. London, Academy Editions. Feiffer, Jules (1997). "The Great Comic Book Heroes." The Comics Journal (200): 181-205. Forester, John, ed. (1985). Critical theory and public life. Cambridge, MA, MIT Press. Fresnault-Deruelle, Pierre (1976). "Du linéaire au tabulaire." Communications (24): 7-23. Gaiman, Neil, Matt Wagner, Teddy Kristiansen and Todd Klein (1999). "Sandman Midnight Theatre." Neil Gaiman's Midnight Days. Ed. N. Gaiman. London, Titan Books. Gaumer, Patrick and Claude Moliterni (1997). Dictionnaire mondial de la bande dessinée. Paris, Larousse. Gordon, Ian (1998). Comic Strips and Consumer Culture, 1890–1945. Washington DC, Smithsonian Institution Press. Gowans, Alan (1971). The Unchanging Arts: New Forms for the Traditional Functions of Art in Society. Philadephia, Lippincott. Gowans, Alan (1983). Learning to See: Historical Perspectives on Modern Popular/Commercial Arts. Bowling Green, OH, Popular Press. Gowans, Alan (1991). "The Case for Kitsch: Popular/Commercial Arts as a Reservoir of Traditional Culture and Humane Values." Living in a Material World. Ed. G. L. Pocius. St. John's, Nfld., Institute of Social and Economic Research, Memorial University. 127-143. Groensteen, Thierry (1991). "Les lieux superposés de Richard McGuire." Lectures de bandes dessinées. Ed. Y. Lacroix. Rimouski, Québec, Urgences. 95-109. Groensteen, Thierry (1997). "Un premier bouquet de contraintes." OuPus 1 / OuBaPo (Ouvroir de Bande Dessiné Potentielle). Paris, L'Association. 13–59. Harvey, Robert C. (1995). "Scott McCloud (interview)." The Comics Journal (179): 52–81. Harvey, Robert C. (1996). The Art of the Comic Book: An Aesthetic History. Jackson, University of Mississippi Press. Herdeg, Walter and David Pascal, eds. (1972). The Art of the Comic Strip. Zürich, Graphis. Herdling, Glenn A. (1996). "Comics." A Dctionary of Cultural and Critical Theory. Ed. M. Payne. Oxford, Blackwell. 110–112. Hogben, Lancelot (1949). From Cave Painting to Comic Strip: A History of Human Communications. New York, Chanticleer Press. Hollander, Anne (1991). Moving Pictures. Cambridge, MA, Harvard University Press. IFA (1985). Architectures de bande dessinée. Paris, Institut français d'architecture. Inge, M. Thomas (1990). Comics as Culture. Jackson, University of Mississippi Press. Iser, Wolfgang (1978). The Act of Reading: A Theory of Aesthetic Response. Baltimore, Johns Hopkins University Press. Katchor, Ben (1996). Julius Knipl, Real Estate Photographer. Boston, Little, Brown. Killoffer (1997). "Bande dessinée en Tripoutre." OuPus 1 / OuBaPo (Ouvroir de Bande Dessiné Potentielle). Paris, L'Association. 66–67. Koestler, Arthur (1970). The Act of Creation. London, Pan Books. Kunzle, David (1973). The Early Comic Strip. Berkeley, University of Califormia Press. Kunzle, David (1990). The Nineteenth Century. Berkeley, University of Califormia Press. Lacroix, Yves, ed. (1991). Lectures de bandes dessinées. Urgences. Rimouski, Québec, Urgences. LaRocca, Donald J. (1998). The Academy of the Sword: Illustrated Fencing Books 1500–1800. New York, Metropolitan Museum of Art. Lécroart, Étienne and Jean-Christophe Menu (1997). "Le 'Tireur à la ligne', ou Grabuge galactique." OuPus 1 / OuBaPo (Ouvroir de Bande Dessiné Potentielle). Paris, L'Association. 68–100. Lent, John A. (1994). Comic Art of Europe: An International, Comprehensive Bibliography. Westport, CT, Greenwood Press. Magritte, René (1979). Écrits complets. Paris, Flammarion. Mann, Ron (1994). Comic Book Confidential. New York, Voyager. Massin (1973). La lettre et l'image: la figuration dans l'alphabet latin du huitième siècle à nos jours. Paris, Gallimard. McCay, Winsor (1969). Little Nemo. Paris, Pierre Horay. McCay, Winsor (1990). The Complete Little Nemo in Slumberland. Seattle, Fantagraphics Books. McCloud, Scott (1993). Understanding Comics: The Invisible Art. Northampton, MA, Tundra. McCloud, Scott (2000). Reinventing Comics. New York, Paradox Press. McDonnell, Patrick, Karen O'Connell, and Georgia Riley de Havenon (1986). Krazy Kat: The comic art of George Herriman. New York, Abrams. Meuris, Jacques (1990). René Magritte. Woodstock,NY, Overlook Press. Mijksenaar, Paul and Piet Westendorp (1999). Open Here: The Art of Instructional Design. New York, Joost Elfers Books. Moebius (1984). Le bandard fou. Paris, Les Humanoïdes Associés. Moliterni, Claude, Philippe Mellot and Michel Denni (1996). Les aventures de la BD. Paris, Gallimard. Moore, Alan and Dave Gibbons (1987). Watchmen. New York, Warner Books. Neumann, Dietrich, ed. (1996). Film Architecture: Set Designs from Metroplis to Blade Runner. Munich, Prestel. Overstreet, Robert, ed. (1999). The Overstreet Comic Price Guide. New York, Avon Books. Peeters, Benoît (1993). La bande dessinée: un exposé pour comprendre, un essai pour réfléchir. Paris, Flammarion. Peeters, Benoît, Jacques Faton and Philippe de Pierpont (1992). Storyboard -- le cinéma dessiné. Crisnee, Belgium, Editions Yellow Now. Phillips, Patrick (1999). "The Film Spectator." An Introduction to Film Studies. Ed. J. Nelmes. London, Routledge. Second edition. 129–160. Prown, Jules David (1988). "Mind in Matter: An Introduction to Material Culture Theory and Method." Material Life in America. Ed. R. B. S. George. Boston, Northeastern University Press. 17–37. Queneau, Raymond (1981). Exercises in Style. New York, New Directions. (translation of Exercices de style. Paris: Gallimard, 1947) Richardson, John Adkins (1986). Art: The Way It Is. Englewood Cliffs, NJ, Prentice-Hall. Rio, Michel (1976). "Cadre, plan, lecture." Communications (24): 94-107. Robbins, Trina (1999). From Girls to Grrrlz: A History of Women's Comics from Teens to Zines. San Francisco, Chronicle Books. Rothschild, D. Aviva (1995). Graphic Novels: A Bibliographic Guide to Book-Length Comics. Englewood, CO, Libraries Unlimited. Rowe, Allan (1999). "Film Form and Narrative." An Introduction to Film Studies. Ed. J. Nelmes. London, Routledge. Second edition, ed. 91–128. Sabin, Roger (1993). Adult Comics: An Introduction. London, Routledge. Sabin, Roger (1996). Comics, Comix & Graphic Novels. London, Phaidon. Saenz, Michael, and Peter B. Gillis (1985). Shatter (subtitled, "the first computerized comic"). Chicago, First Comics. Saint-Gelais, Richard (1991). "Entre les cases (quelques effets fictionnels des interstices en bande dessiné)." Lectures de bandes dessinées. Ed. Y. Lacroix. Rimouski, Québec, Urgences. 7-17. Sauter, Catherine and Philippe Sohet (1991). "«Histoire de voir»: historicité et logique narrative dans l'œuvre de Jacques Martin." Lectures de bandes dessinées. Ed. Y. Lacroix. Rimouski, Québec, Urgences. 30-43. Schodt, Frederik L. (1983). Manga! Manga! The World of Japanese Comics. Tokyo, Kodansha International. Schuiten, François and Benoît Peeters (1982). Les murailles de Samaris. Tournai, Casterman. Schuiten, François and Benoît Peeters (1996). Le guide des cités. Tournai, Casterman. Schuiten, François, et Benoit Peeters (1985). "Utopies". À suivre, 1985: 66-70. Spaulding, Amy E. (1995). The Page as a Stage Set: Storyboard Picture Books. Metuchen, NJ, The Scarecrow Press. Spiegelman, Art (1986). Maus: A Survivor's Tale. New York, Pantheon. Spiegelman, Art (1991). Maus: A Survivor's Tale II: And Here My Troubles Began. New York, Pantheon. Spiegelman, Art (1994). The Complete Maus: A Survivor's Tale. New York, Voyager. Töpffer, Rodolphe (1994). L'invention de la bande dessinée: textes réunis et présentés par Thierry Groensteen et Benoît Peeters. Paris, Hermann. Torres, Daniel (1984-5). "Triton" (serialization). Heavy Metal, 91 (October) to 95 (February). Varnedoe, Kirk and Adam Gopnik (1990). High & Low: Modern Art and Popular Culture. New York, Museum of Modern Art. Wells, Paul (1998). Understanding Animation. London, Routledge. Williams, Raymond (1983). Keywords: A Vocabulary of Culture and Society. London, Flamingo/Fontana. Wollen, Peter (1998). Signs and Meaning in the Cinema. London, British Film Institute.
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